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Eating the Fantastic

I’ve been going to science fiction, fantasy, horror, and comic book conventions since I was 15, and Eating the Fantastic—a 2026 Hugo Awards finalist—attempts to replicate in podcast form one of my favorite parts of any convention—good conversation with good friends over good food. In fact, my love of tracking down that good food while traveling the world attending conventions has apparently become so well known one blogger even dubbed me "science fiction’s Anthony Bourdain." Chatting with my guests over over plates of food in restaurants relaxes them, and relaxes me as well. Food's been doing that for thousands of years, helping make conversations more intimate than they would otherwise be. Tongues are loosened, and through a strange magic, we’re no longer merely host and guest, but just a couple of friends having a meal. And though some ambient noise survives the processing, what remains in that "you are there" background is a small price for the much better picture you’ll get of my guests than otherwise. So consider it a feature, not a bug. During each episode, I'll share a meal with someone whose opinions I think you’ll want to hear, and we’ll talk science fiction, fantasy, horror, writing, comics, movies, fandom … whatever happens to come to mind. Now please pull up a chair to the table and dig in!
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Now displaying: Page 1
Jun 4, 2021

Share shahi korma with writer Karen Osborne as we discuss her biggest surprise after signing with an agent for her first novel, how she was able to celebrate the launch of that debut book <em>and</em> a Nebula nomination during the COVID-19 lockdown, what you need to keep in your head to never go wrong about a character's motivations, how the Viable Paradise writing workshop taught her to lean in on her weird, the favorite line she's ever written, how she wrote fanfic of her own characters to better understand them, why she doesn't want her daughter to read her second novel until she's 13, the way <em>Star Trek: The Next Generation</em> changed her life, how the Clarion workshop taught her to let go of caring what other people think of her writing, what Levar Burton means to her childhood, and much more.

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