Dig into dim sum with the Nebula Award-winning Eileen Gunn as we discuss how it's possible to write when you always have writers block, the Ursula K. Le Guin story which convinced her she could have a career in science fiction, the two most important things she wants aspiring writers to know, her early advertising career writing funny ads for shoes she didn't like, the reason she believes "I don't decide what the story is until after I've finished it," which famous science fiction writer wrote the box copy for Screaming Yellow Zonkers, the question Kate Wilhelm asked her at Clarion which unlocked the unknown ending of a story in progress, the way her years in the ad business helped her become a better writer, how Carol Emshwiller made her a person of interest with a sheriff's department, what she said on a Worldcon panel which was so outrageous the audience had to be told she was joking, how <em>Psychology Day</em> magazine was almost sued over Frankenstein because they didn't listen listen to my advice, and much more.

Come to Chicago for lunch with Carol Tilley as we discuss how we each first learned about the Comics Code, the mostly forgotten rich kid origins of <em>Blondie</em>'s Dagwood Bumstead, the unsettling inconsistencies she discovered while going through 200 boxes of Fredrick Wertham's papers, what those documents reveal about how he came to believe what he came to believe, what it means to research with the brain of an historian, the proper pronunciations of Potrzebie and Mxyzptlk, her efforts to track down those who wrote letters to the Senate protesting comic book censorship during the '50s (including one of the founders of the Firesign Theater), the enduring power of EC's "Judgment Day," why she believed comic book censorship would have occurred even without Wertham's input, what she thinks he'd make of today's comics, how Wertham felt about the way comic book fans felt about him, and much more.