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Eating the Fantastic

I’ve been going to science fiction, fantasy, horror, and comic book conventions since I was 15, and I’ve found that while the con which takes place within the walls of a hotel or convention center is always fun, the con away from the con—which takes place when I wander off-site with friends for a meal—can often be more fun. In fact, my love of tracking down good food while traveling the world attending conventions has apparently become so well known that one blogger even dubbed me “science fiction’s Anthony Bourdain.” So after toying for quite awhile with the idea of attempting to replicate in podcast form one of my favorite parts of any convention—good conversation with good friends over good food—it’s finally happening. During each episode, I’ll share a meal with someone whose opinions I think you’ll want to hear, and we’ll talk about science fiction, fantasy, horror, writing, comics, movies, fandom … whatever happens to come to mind. (There’ll also be food talk, of course.) Please note—this will not be a pristine studio-recorded podcast, but one which will always occur in a restaurant setting, meaning that mixed in with our conversation will be the sounds of eating and drinking and reviewing of menus and slurping and background chatter and the servers popping in … in other words, it’ll be as messy as life. And hopefully as entertaining, too. And now … please pull up a chair to the table and get ready to dig in.
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Eating the Fantastic
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Now displaying: 2024
Feb 23, 2024

Snack on sushi with Ray Nayler as we discuss how his time living outside the U.S. helped him become a better science fiction writer, why he feels the greatest effect of having written <em>The Mountain in the Sea</em> was a culinary one, the reason we agree our favorite part of writing is rewriting, the sad results of his accidental Facebook experiment, whether his mammoth memory behavior is based on scientific facts or is purely speculative, why we'll likely never be able to truly resurrect extinct species, how changes in culture can affect evolution, the train trip where he received career advice from a stranger he didn't realize was Neil Gaiman, why we aren't totally in control of our writing destinies, how he's haunted by the ghost of an alternate version of himself, plus much more.

Feb 9, 2024

Nibble garlic naan with Jo Miles as we discuss how what began as a short story blossomed into a trilogy, the way to juggle multiple points of view and keep them balanced, the science fictional precursors which helped them create their sentient ship, how to properly pace the arc of a burgeoning romance, the importance of making sure a redemption arc feels earned, the way their mandate for writing optimistic science fiction came to be, the differing ways we were each affected by the pandemic, how the Taos Toolbox workshop teaches writers to break down the beats  of their stories (and why that terrifies me), plus much more.

Jan 23, 2024

Munch MVP sandwiches with MVPs Gary K. Wolfe and Jonathan Strahan as we discuss why <em>The Coode Street Podcast</em> is "the <em>Cheers</em> of podcasts," the foolish statement made during their first episode which meant there had to be more, the identity of the guest who was most resistant to appearing on their show, the reason the podcast made Paul Cornell want to run, the different interviewing techniques necessary when having conversations with the voluble vs. the reticent, the white whales whom they could never snare, how to make sure we're speaking to more than just our own generations, their advice for anyone who wants to launch a podcast of their own, the way to avoid getting canned responses out of guests, how their conversational methods have changed over 13 years, whether critiquing books or rejecting stories has ever affected relationships with a guest, and much more.

Jan 12, 2024

Join Izzy Wasserstein for Kansas City BBQ as we discuss the way Sarah Pinsker sparked her lightbulb moment, why it's important for her to learn your chosen D&D character, which <em>Star Trek: The Next Generation</em> characters caused her to take her first stab at writing, the change she'd make in her life if she were independently wealthy, why we both miss those paper rejection slips from publishing's pre-electronic days, the disconnect between the way we feel about certain stories of ours and how readers respond, the most important gift she was given by the Clarion writing workshop, our perverse love for second-person present-tense stories, how surprised she was when she sold a story to <em>Analog</em>, and much more.

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