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Eating the Fantastic

I’ve been going to science fiction, fantasy, horror, and comic book conventions since I was 15, and I’ve found that while the con which takes place within the walls of a hotel or convention center is always fun, the con away from the con—which takes place when I wander off-site with friends for a meal—can often be more fun. In fact, my love of tracking down good food while traveling the world attending conventions has apparently become so well known that one blogger even dubbed me “science fiction’s Anthony Bourdain.” So after toying for quite awhile with the idea of attempting to replicate in podcast form one of my favorite parts of any convention—good conversation with good friends over good food—it’s finally happening. During each episode, I’ll share a meal with someone whose opinions I think you’ll want to hear, and we’ll talk about science fiction, fantasy, horror, writing, comics, movies, fandom … whatever happens to come to mind. (There’ll also be food talk, of course.) Please note—this will not be a pristine studio-recorded podcast, but one which will always occur in a restaurant setting, meaning that mixed in with our conversation will be the sounds of eating and drinking and reviewing of menus and slurping and background chatter and the servers popping in … in other words, it’ll be as messy as life. And hopefully as entertaining, too. And now … please pull up a chair to the table and get ready to dig in.
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Eating the Fantastic
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Aug 16, 2024

Join Jenny Rowe (and James Tiptree, Jr.) at the Glasgow Worldcon bar as we discuss the serendipitous way the former learned about the latter, the differing reactions to her one-woman show from SF vs. non-SF audiences, how she managed to nail Tiptree's accent (some of which you'll get to hear), why she ultimately decided not to begin or end the show with a gunshot, how she settled on the structure of her script (and why she decided to leave herself out of the story), the way inhabiting Tiptree affected her feelings about the controversy, why she'd have loved to meet Tiptree but not necessarily want to be her friend, the purpose of the play's moment of audience participation, and much more.

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