Devour Cthulhu with World Horror Grandmaster Ramsey Campbell as we discuss his early relationship with Arkham House editor and publisher August Derleth, who he might have been had he never discovered H. P. Lovecraft, how this master of unease is able to keep the sense of dread going for the length of a novel (hint: he's not entirely sure himself), why he loves <em>The Blair Witch Project</em>, what it was like writing novels in the Universal monsters universe, how he felt when <em>The Times</em> listed <em>The Doll That Ate its Mother</em> as one of the silliest titles of 1987, how <em>Twilight Zone</em> editor T. E. D. Klein changed his life, our shared memories of the 1979 World Fantasy Convention, why he feels his attempts to write science fiction have been "clumsy," the way he was made speechless on his first meeting with J. G. Ballard, why he admires Vladimir Nabokov, and much more.

Head to Dublin for brunch with Maura McHugh as we discuss how the Clarion Science Fiction and Fantasy Writers' Workshop sometimes makes people realize they <em>shouldn't</em> be writers (and why that can sometimes be a good thing), how having lived in both Ireland and the U.S. affected her life and her writing, whether her attraction to dark fiction was ever a choice, what it was like getting to create comics in the Judge Dredd universe, how she decides whether ideas that pop into her head get transformed into comics or prose, her recent art project inspired by the works of Simone de Beauvoir, why she doesn't speak much about works in progress on social media, what she learned pulling together the selections for her first short story collection, why Twin Peaks fascinated her so much she wrote a book about the show &#8212; and much more.

Share a walnut whip with Cheryl Morgan as we discuss the only science fiction she was allowed to read in school as a kid, why she preferred American Marvel Comics over the British comics of her youth (and how she considers Jean Grey her big sister), the way Dungeons & Dragons made 10 years of her life disappear, how helping out on a Worldcon bid led to her meeting one of the most important people in her life, the reason deciding to go digital infuriated fanzine fandom, the legacy of Ursula K. Le Guin's <em>The Left Hand of Darkness</em>, how she hid behind the sofa while watching the first episode of Doctor Who (and which was her favorite Doctor), the unfortunate reason she stopped publishing her Hugo Award-winning fanzine, why I'm to blame (in part) for her first encounter with science fiction, whether the Retro Hugo awards do what they're intended to do, the pre-history of robotics before <em>R.U.R.</em>, the difficulties in judging the best translated work &#8212; and so much more.