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Eating the Fantastic

I’ve been going to science fiction, fantasy, horror, and comic book conventions since I was 15, and I’ve found that while the con which takes place within the walls of a hotel or convention center is always fun, the con away from the con—which takes place when I wander off-site with friends for a meal—can often be more fun. In fact, my love of tracking down good food while traveling the world attending conventions has apparently become so well known that one blogger even dubbed me “science fiction’s Anthony Bourdain.” So after toying for quite awhile with the idea of attempting to replicate in podcast form one of my favorite parts of any convention—good conversation with good friends over good food—it’s finally happening. During each episode, I’ll share a meal with someone whose opinions I think you’ll want to hear, and we’ll talk about science fiction, fantasy, horror, writing, comics, movies, fandom … whatever happens to come to mind. (There’ll also be food talk, of course.) Please note—this will not be a pristine studio-recorded podcast, but one which will always occur in a restaurant setting, meaning that mixed in with our conversation will be the sounds of eating and drinking and reviewing of menus and slurping and background chatter and the servers popping in … in other words, it’ll be as messy as life. And hopefully as entertaining, too. And now … please pull up a chair to the table and get ready to dig in.
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Nov 9, 2018

Taste tiramisu with Vina Jie-Min Prasad as we discuss why she didn't start writing any fiction until the release of J.J. Abrams' <em>Star Trek</em> reboot, the reason food has such a prominent place in her fiction, why she might never have become a writer if the Internet hadn't existed, the lessons she took away from her fan fiction days, what she meant when she wrote in her bio that she’s "working against the world-machine,” why her multi-nominated story "A Series of Steaks" was her first submission to a speculative fiction magazine, her fascination with professional wrestling and wrestling fandom, why her story "Pistol Grip" needed a warning for sexual content but not violence (and what Pat Cadigan called her after reading that story during the Clarion workshop), the reason she likes working in the present tense, and much more.

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