Chow down on calamari with Paul Di Filippo — author of more than 200 works of fiction — as we discuss why the first story he ever wrote was <em>Man from U.N.C.L.E.</em> fan fiction, the pact he made with a childhood friend which explains why he owns none of the Marvel Comics he read as a kid, what caused the editor who printed his debut story to make the bold claim it would be both his first <em>and</em> last published piece of fiction, how his life changed once he started following Ray Bradbury's rule of writing at least 1,000 words per day, why he's written so much alternate history and for which famous person he's had the most fun imagining a different life, why after a career in science fiction and fantasy he's begun a series of mystery novels, what happened to the never-published Batman story he sold DC Comics which we never got to see, and much more.
Polish off a Persian dinner with David Mack as we discuss the weird ways his life entwined with the famed comic book artist who shares his name, how worrying about the details of <em>Star Trek</em> canon helped him when it came time to unravel the secret history of WWII, how a near-death experience led to him working for the Syfy Channel, why it was so important for necromancers to pay a heavy price for the magic they choose to wield in his new novel <em>The Midnight Front</em>, how <em>not</em> making a pitch to a book editor resulted in him selling TV scripts to <em>Star Trek</em>, his unabashed love for the Beat author Richard Brautigan, the reason that after 27 <em>Trek</em> novels and a ton of other tie-in work he's chosen to publish his non-franchise breakout book <em>now</em>, and much more.
Gobble fried green tomatoes with Bram Stoker Award-winning writer/editor Thomas F. Monteleone as we discuss the tricks he teaches to transform writers at his famed Borderlands Bootcamp, the 200+ rejections he received before he finally made his first fiction sale, how Theodore Sturgeon helped him realize it was possible for him to become a writer, why he ended up as a horror icon after his big start in science fiction, which horror writers you'd want on your team when you're choosing sides for softball, the reason his live readings have become legendary, the way Peter Straub reacted when Tom put him on a list of most overrated writers, how a challenge from Damon Knight changed his life, and much more.
Scarf down Szechuan crispy beef with two-time Bram Stoker Award-winning writer Norman Prentiss as we discuss the day he wowed the other kids on his school playground by reading them Edgar Allan Poe's "The Tell-Tale Heart," the movies a Catholic Church newsletter's warnings made him want to see even more, the supernatural superhero comic that led to a lawsuit against Harlan Ellison, the upside and (surprising) downside of having won a $35,000 college writing prize, how the freebies he got at a Horrorfind convention goosed him to start writing fiction again, why he wrote the last part of his novel <em>Odd Adventures with Your Other Father</em> first, how he's been able to collaborate with other authors without killing them, what can be taught about writing and what can only be learned, why he ended up writing horror instead of science fiction, and much, much more.
Sink your teeth into Sicilian with Barry Goldblatt as we discuss why he ended up as an agent rather than an astronaut, the happy accident that led to him being taught by the legendary science fiction writer James Gunn, the time Lloyd Alexander caused him to burst into squee-filled tears, J. K. Rowling's first U.S. book signing and how she changed children's publishing forever, what everybody thinks they know about agents that's totally wrong, the sorts of things he's told authors to help take their work to the next level, why it sometimes makes sense for him to submit a less than perfect book, whether the YA market is doing a better job with diversity than adult fiction, what he's been looking for that he hasn't been getting, and much more.
Share flash-fried cauliflower with <em>Asimov's</em> editor Sheila Williams as we chat about her first day on the job more than a third of a century ago, meeting Isaac Asimov at an early <em>Star Trek</em> convention when she was only 16, which writer intimidated her the most when she first got into the business, what she learned from working with previous <em>Asimov's</em> editors Shawna McCarthy and Gardner Dozois, the most common problems she sees in the more than 7,000 stories that cross her desk each year, the identities of the only writers she's never rejected, what goes through her mind in that moment she reads a manuscript and arrives at "yes," and much more.